Melange Series 9
Melange Series 9 leaves the viewer to interpret the narrative from the interaction between the sculptural glass forms. This hand blown art glass sculpture inspired by the sculptor Henry Moore, has been cold worked and sandblasted to create the translucent glow from within. This work is in private collection. Shown in tea color size: 19″ x 20″ x 11″ ...
Read MoreShima in tea
The Shima in tea is about the communication between two individuals. Shima is a Navajo word of endearment meaning, my mother. This hand blown art glass sculpture by Bernard Katz incorporates an hand finished redwood base shown in tea color size: 22′ x 23″ x 6″
Read MoreTikal and Masso Monolito in tea
This Monolito sculpture set incorporates the Tikal and Masso glass forms shown in tea color. The Monolito Sculpture Series shares many of the attributes with the Melange Series. However, the scale of these glass forms have been designed with smaller space requirements in mind. These glass forms are hand blown, cold worked, and sandblasted. shown in tea color size: See individual glass form silhouettes below...
Read MorePalanque and Tulum Monolito in tea
This Monolito sculpture set incorporates the Palanque and Tulum glass forms shown in tea color. The Monolito Sculpture Series shares many of the attributes with the Melange Series. However, the scale of these glass forms have been designed with smaller space requirements in mind. These glass forms are hand blown, cold worked, and sandblasted. shown in tea color size: See individual glass form silhouettes below...
Read MoreAkumal, Tulum, and Palanque Monolito in tea
This Monolito sculpture set incorporates the Akumal, Tulum, and Palanque glass forms shown in tea color. The Monolito Sculpture Series shares many of the attributes with the Melange Series. However, the scale of these glass forms have been designed with smaller space requirements in mind. These glass forms are hand blown, cold worked, and sandblasted. shown in tea color size: See individual glass form silhouettes below...
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